Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Saturday, June 4, 2011

#11: Iron & Wine

What a fun birthday present! YB and I gave each other tickets to the Iron & Wine concert in Salt Lake for our birthdays, which are within the same 4 weeks. It was a pleasant evening of soulful, live indie music, one where we strategically found a spot to stand on the steps that gave us perfect viewing of the bands on stage. It wasn't super close, but in the small venue that it was, anywhere was close enough (unless you happened to be all the way back by the bathrooms). For once in my life I was able to overcome my shortness and NOT have heads in the way! Amazing!

Iron & Wine is well-known as an indie-alternative band. Their opening act was The Head and the Heart, from the same genre, but not as well-known. In a few years, though, that might change - their music rocks and the audience loved them. Comprised of 4 guys and a girl who all switched off instruments and sang as well, The Head and the Heart created dynamic songs using all sorts of sounds with varying tempos and rhythms. Their fine-tuned voices all meshed very well and allowed them to portray a wide array of emotions, from melancholy to excited. I really felt a sense of teamwork from the band; not one person was made to stand out more than anyone else. What made the performance even more enjoyable was that they simply looked like they were just having a blast, as if it didn't matter if the venue was full of people or if their audience was only 10. The impression I got was they enjoy what they do because they do it for themselves, not to please other people, but having that appreciation was simply a perk. 




Then Iron & Wine came on and delivered an equally entertaining show, with major rearrangements and switch ups of the songs people know from their albums. I only knew a couple of their songs to begin with, but it didn't matter because I was just enjoying the well-done live music. Sam Beam is the main man in charge here, with the softest voice to accompany his soothing acoustics. I'm thinking maybe his power comes from his righteous beard, which makes him look like Abraham Lincoln and Zach Galifianakis combined, but the band wouldn't be complete without his large company of wingmen. I counted 5 guys in a semicircle behind Sam, 3 on the side playing woodwinds and brass instruments, and 2 backup singers. That's a lot of people. Like The Head and the Heart, they all traded around instruments frequently to create a medley of sounds that could either put you to sleep like a lullaby, or get you up and dancing to their groovy rhythms. I didn't know Iron & Wine could be so funky - I wasn't expecting to be foot tapping or head-bobbing, but it happened. And I liked it.

Overall the night was a success. There weren't any sound problems, except for in the beginning when they were quickly fixed as per instruction from the band members. No fancy lights, projections, or even background posters were made to distract from the music. Some concerts in other genres are made to be half comedy shows with jokes thrown about here and there, but the talk at this concert was minimal and the pleasant sounds were abundant. 'Twas a true indie concert, and simultaneously a rad hipster convention, where the atmosphere was simply "chill" and the thing to look at when your eyes wandered was the whimsical fashions of the guys and girls who dared to be different. Except if everyone's a hipster, then no one's a hipster,  right? I wonder how they felt when they looked around and saw people wearing outfits that were even cuter than theirs. Good thing all I cared about was being comfy, cause that I was. Anyway. Enough said. Picture time:






Thursday, April 28, 2011

Itunes Library: Sorted

Everyone has their own preferential way of organizing things. Whether it be that their room is a mess yet they know exactly where everything is, or everything is physically separated, labeled, categorized, and orderly. When it comes to organizing music, people have their preferences, too. The Itunes library is cool because it lets you basically organize by whatever standards you want - Artist, Album, Genre, and Year are some popular ones. To some, the details of Play Count and Date Added are very important to keep track of. Personally, I might fall apart if I couldn't always list and view my music by Date Added, knowing the relative time sequence of when I purchased a song or album. I can look back chronologically, pick out a group of 20 or so songs clumped together because of their near-each-other acquisition dates, and recall exactly what time of year it was and my thoughts when listening to that music for the first time.

I thought it'd be interesting to see the top songs of my library under different categorizations. For starters, one that I'm now paying attention to slightly is the play count. It's not at all accurate, based on the fact that I doubt my phone and ipod and laptop all coordinate with each other, not to mention I still listen to CD's a lot, and those times don't get recorded. But just for kicks, at this point in time, we begin with my "Most Listened To" songs: (and some of these surprise me)

(Song) - (Artist)
Follow You Home - Nickelback (31 plays)
Shadows - RED                                                    
Start Again - RED                                                
Confession (What's Inside My Head) - RED          
Stay - Safetysuit                                                  
Into the Night - Santana ft. Chad Kroeger          
You're Going Down - Sick Puppies                    
Breath - Breaking Benjamin                                
The Downfall of Us All - A Day to Remember    
Tiny Heart - Flyleaf
Animals - Nickelback
Shakin Hands - Nickelback
Ordinary World - RED
Santa Monica - Theory of a Deadman
Rip Tide - Sick Puppies (21 plays)

Date Added, aka "Most Recently Acquired By Various Methods"


(Song) - (Artist)
Come On, Come On - After Midnight Project
Scream For You - After Midnight Project
"Tron" Soundtrack - Daft Punk
Invaders Must Die - The Prodigy (and more of their songs)
Polyamorous - Breaking Benjamin
The Red - Chevelle
Get Thru This - Art of Dying
Rolling in the Deep - Adele
What Ya Gonna Do - Hinder
Blow - Ke$ha
Born This Way - Lady Gaga
Loser Like Me - Glee Cast
I Am a Man of Constant Sorrow - The Soggy Bottom Boys
Manifesto - The City Harmonic
Symphonies - Dan Black

Largest Time, aka "Longest Songs, by Minutes"


(Song) - (Artist)
Rime of the Ancient Mariner - Iron Maiden (13:38)
10,000 Days (Wings, Part 2) - Tool
Roseta Stoned - Tool
Reflection - Tool
Save Me - Avenged Sevenfold
Concerto No. 1 in E Major "Spring" - Antonio Vivaldi
Part 1 Sunlight - Kevin Kendle
Lullaby - Sia
Soldiers of the Wasteland - Dragonforce
Deadwing - Porcupine Tree
Lateralus - Tool
Parabola - Tool
November Rain - Guns 'N Roses
Farewell/End Title - John Barry
Triad - Tool (8:47)

Alphabetically by Artist, aka "The Top "A" Bands"


(Artist) - (Song/s)
a-ha - Take On Me
A*Teens - Under the Sea
A.F.I. - Beautiful Thieves & Prelude 12/21
A.R. Rahman - Jai Ho
Aaron Copland - Hoe Down
Aaron Lewis - Country Boy
Abel - Saints
AC/DC - two albums + two songs
The Academy Is ... - Attention
Ace Young - Father Figure
Adele - one album +  three songs
Adelitas Way - one album + one song
Aerosmith - Dream On
After Midnight Project - three songs
Ak'sent feat. Beanie Man - Zingy

Alphabetically by Album, aka "The Top "A" Albums"


(Album) - (Artist)
AB III - Alterbridge
Across the Universe Soundtrack - various artists
Adelitas Way - Adelitas Way
Advisory Committee - Mirah
After the Chaos II - Royal Bliss
Aftermath - Hillsong United
Against the Grain - The Veer Union
The Age of Plastic - The Buggles
Aim and Ignite - fun.
Aladdin Soundtrack - various artists
The All-American Rejects - The All-American Rejects
All About the Scrillions - Super Mash Bros.
All-American Nightmare - Hinder
All Day - Girl Talk
All For You - Janet Jackson

Alphabetically by Song Name, aka "The Ones that Come Even Before the "A"s"


(Song) - (Artist)
99 Red Balloons - Goldfinger
90's Baby - Karina
80's Joint - Kelis
8 AM - Summer Obsession
7 Things - Miley Cyrus
5:15 - The Who
4ever - The Veronicas
45 - Shinedown
42 - Coldplay
4 Minutes - Madonna feat. Justin Timberlake
4 AM - Kaskade
369 - Cupid feat. B.O.B.
3 Weeks, She Sleeps - Blue October
3 AM - Matchbox Twenty
3 - Britney Spears

and finally...

Last Played, aka "The Last Songs I've Listened to For Whatever Reason"


(Song) - (Artist)
What Hurts the Most - Rascal Flatts
Concerto in D Minor - Antonio Vivaldi
Rolling in the Deep - Adele
Someone Else's Arms - Mae
Manifesto - The City Harmonic
My Never - Blue October
Cannonball - The Breeders
I'm Not Who I Was - Brandon Heath
In the Air Tonight - Phil Collins
Through Glass - Stone Sour
Who Says - Selena Gomez
Undo It - Carrie Underwood
Friends in Low Places - Garth Brooks
Savannah - Relient K
E-Pro - Beck

Well, that was a little eye opening. Personally I feel like I performed a science experiment just now; if I had known those answers would come up I might not have written a post about it. The alphabetical lists were especially boring, eh? My conclusion is that when you have as many as 3754 songs in your library, taking the top 15 of anything will definitely not give a good representation of the variety of your music. Not even taking the top 15 seven different ways will do it! But that was still fun. Go ahead and judge, but know that this is just the tip of the iceburg.

Thursday, March 24, 2011

Hot Rock Singles of Early 2011

I can't think of anybody to tell about how ecstatic I am for all the spectacular upbeat rock singles that have been released in the past few months. So I will do it here!

Lies of the Beautiful People - Sixx: A.M.
I only have one other song by this band, so now my total count is two, but the two are really great. Lies of the Beautiful People is one that you belt out as loud as you can in your car, but you must be very careful about who is around you and possibly snickering at your one-man show. The bridge is cool because it calms down and has a heavy drum beat in the background without all the rest of the instruments going on. It is intense and builds anticipation for the chorus to come back again.

I'm pretty sure this qualifies as a "single" because it was on the radio the other day, even though it wasn't the first song they've promoted off their new album. Did I blog about that CD yet? I think I just said it was too awesome to put it into words. Anyway, if this song isn't hardcore, I don't know what is. (And they're Christian! Always a plus.)

Rope - Foo Fighters
Out of all the songs on this list, I think this one takes the cake for being the most elementally diverse. It's one of those songs that you can't predict what's going to happen next, but everything still blends together well. I especially like the noticeable 'ting ting ting' of the snare on the chorus. It's upbeat (yay!), and it actually has a short drum solo section for once, which is somewhat rare in this day and age. 


Country Song - Seether
If you haven't noticed, this one I like so much that I put it on the sidebar of this here blog, under "what I'm listening to." It might be hard to tell, but it's always a struggle picking the music I'm MOST into at the time to display in that section. Anyway. Describing this song is kinda hard. It has a funky beat - so funky that I have to stop typing in order to tap my hands on the edge of my laptop in syncopation. And somewhat like the previous, you don't expect the melodic progressions of the chorus to go where they go, which makes it pretty unique. But all around, the song is successful for it's cool country vibe that you just have to listen to in order to know what I'm talking about.  

Hesitate - Stone Sour                            *Good song for all music lovers!*
I have to be honest and say the first time I heard this song I actually thought it was David Archuleta. You know, that cute kid who won American Idol when he was 17 (and is from Utah!). Then I found out it was Stone Sour, and I was reminded of all their other ballad-like songs that I'm a fan of. I was surprised, since "Hesitate" is kind of sweet for a rock song, and has fewer traces of their scratchy and rough sound. Which doesn't make them any better or worse, because in the end I still like it enough to put on here :)

Architects - Rise Against              
Rise Against is kind of like the ADHD kid of the preschool class. They have such speedy tempos, always bouncing around and super excited, more so than anyone else on the playground. They are coming in concert soon ... I'm still debating if they deserve my money more than other bands I really want to see around the same time period. It's going to be a tough decision. Note: I don't know how I ended up with this song, because their #1 on iTunes from the new album Endgame is actually "Help Is On the Way," which easily could fill this slot on the list as well. Both are good new singles. 

Hold On - All That Remains
Technically this came from a 2010 album, but they're just promoting this song now. I'm starting to like this "metalcore" band for their really heavy and deep percussion ... stuff ..., and at the same time their kinda catchy choruses that you can actually sing along to. iTunes accurately describes it as "melodically infused hardcore death metal." While I don't know if I could listen to a whole album of this straight up, I do really enjoy this song. 

When You're Young - 3 Doors Down
3 Doors Down has an easily recognizable style; most of their songs follow a similar pattern. This one can be compared to "Let Me Be Myself," "Here Without You," and "It's Not My Time." They all start off with a slow  acoustic guitar intro, and then pick up speed with added instruments. On this list, it's one of the more subdued singles, but it's still noteworthy.

Move Your Body - My Darkest Days                     *Good party song!*
I'm fast becoming a big fan of My Darkest Days. Believe me when I say I was one of the first on the bandwagon with their first single "Pornstar Dancing," that took a while for people to catch on to, but when it happened, it shot off like a rocket. "Move Your Body" doesn't have exactly the same dose of magic as "Pornstar," but it comes close with its catchy chorus that makes you want to dance and shake all over. As such a new band, My Darkest Days is truly making a great name for themselves early on with their unique vocals that sound like no other band on the radio these days. When I heard this one, I knew it was them even though I'd only ever known that first single, just because they have a recognizable sound. Job well done. These guys will be big soon. 

That was fun. Thanks to all the great bands who know exactly what I want to hear this season. The end. 

Saturday, February 26, 2011

Linkin Park Rocks!

Words cannot describe how thankful I am that my friends and family always have the best luck with getting free concert tickets. Ever since I found out the date of Linkin Park's stop in SLC, months ago, I'd been dreaming of how awesome it would be to go, but I wasn't about to spend $50 or $60 on mediocre seats. For some strange reason I still kept that Friday open, in hopes of the extremely unlikely occurrence that I'd be able to go, and it just so happened that my concert buddy from last week won tickets on the radio just two days before the show (like he always does), on Wednesday. And for some other strange reason, I didn't say yes right away - I'm weird and I have to sometimes talk myself into doing things that I know I've been looking forward to for a while. But it didn't take a divine message from God to convince me to go. I snapped out of that phase quickly, and good thing, or else I would've missed out on an epic night.

Epic. A word that I've been using to describe lots of things recently. Also, a word that has no other substitutes when it comes to describing last night. The opening band was called The Prodigy, an English electronic group that specializes in hardcore rave-style music. At first I wasn't impressed by their efforts to get the crowd jazzed up by using the technique of shouting f**k every other word, with no actual meaningful language in between. They didn't need this strategy, because after feeling a few of their insanely loud techno beats pump through my body, I (and the audience) was definitely on board for some fun. Other than the music, what I was most dazzled by during this half of the show was the light choreography. Burst of reds, blues, yellows, greens, and pinks were flashing constantly along with the beat, as if thousands of skittles had been shaken up in a giant bottle and forced to explode from the energy. A few of the pictures I took on my phone and camera somewhat captured this, but nothing compares to the video I started taping when I unexpectedly heard the song that my drill team danced to for our jazz dance in 2008. Actually, now that I'm playing it back on the computer, I'm reminded of just how crazy the lights were - this is a sad thing to say but I'm sure anyone with epilepsy would've been in a really dangerous situation.



Following The Prodigy was a lengthy break during which we could chat and observe the daring tech crew hang out at least 100 feet above the ground while setting up different things up top. Concert buddy and I pondered how intense the fireworks and lights would be for the main show, but I'm actually pleased to say pyrotechnics were absent and ridiculous lights were minimal. The epicness of Linkin Park's show came from their perfect delivery of the songs, the enthusiasm every band member put into it, and the pure fire within the entire crowd that comes from so much love and support of this great band. When there was not sound coming from the speakers, there was plenty of it coming from the audience, because rarely did we stop cheering at the end of a song before the next.

Yes, the displays on the background screen were very cool and created the right ambiance, but I think it's safe to say Linkin Park's success was due to the songs they played. Every old-school LP fan would've been satisfied by their selection that included more of their original hits and less of the not-as-popular ones from the newer albums. I was so pleased when their last song of the encore ended up being One Step Closer, from Hybrid Theory, which is one of my absolute favorites. I can assure you I could not have been rocking out harder during their last few numbers, when I wished the night would never end. Comparing this experience to last week's smaller concert that I attended, back then I wanted it to last longer in hopes of hearing better stuff, but with Linkin Park, I just wanted the already-there perfection to keep going and going. On the drive home while listening to their other music, I just kept thinking how awesome it would've been if they could have played EVERY song from Hybrid Theory and Meteora (at least).

If I haven't stressed this enough, here's me saying again how happy I am that their MUSIC is what makes them great. In contrast, I love Nickelback and all, but I honestly don't think they would rock as much live if they didn't have the whole beer-party-fireworks thing going on. LP was true to their hits, with occasional trippy visual effects and some gnarly auto-tuned creep music that placed you in another world. And when you read the words "auto-tuned," don't think Ke$ha or Kanye West, because it was different and a lot cooler than that.

Venue-wise, I'm starting to love arenas. Here's why:
a) I get to sit down in an actual chair with a back. So much more comfort than standing for 4 hours!
b) There are clean bathrooms with more than two stalls.
c) Multiple food choices
d) It's almost guaranteed that everyone there wants to have a good time and has huge support for the main band. Never will you be let down by the collective enthusiasm of the crowd in a stadium setting.
e) You can take really cool pictures that capture the epicness of the whole stage and surrounding area. Like these! As a wrap-up of this post, my favorite shots of the night:

As usual, click on individual photos to see them bigger












Sunday, February 20, 2011

The 9th on the 18th

This past Friday night I got to experience the earth-shaking loud music of some awesome rock bands at a small vintage theater down around the Salt Lake area. This was the Monster Outbreak tour, which featured Rev Theory headlining, and the openers Aranda, Black Cloud Collective, and Pop Evil. I had planned on this night mainly to see Rev Theory because they were the only band I knew, but at the end of the day I think I benefited more from being exposed to those bands that were new to me, as they had just as much (if not more) talent than the guys I went to see.

Performance-wise, it's difficult to peg down who had the best stage presence, because I was impressed by different elements from each go-round. Pop Evil was more well-known, so naturally the crowd carried a higher excitement level, but I also just felt a solid energized rock vibe from them as a whole. They would probably take the cake for best appearance as well, since the lead singer Leigh Kakaty (a dude) was probably the hottest person on stage that night, and the luscious locks of long hair on the bassist Matt Dirito were tantalizing to watch as he expertly headbanged his way to a promising migraine. Seriously, this guy came on stage and I immediately thought, "He has Pocahontas' hair, and it's way prettier than mine! Not fair." If you've never payed attention to anyone whipping such long hair like that around in the air, it's quite a sight, let me tell you. I used to just think it was cool and all if the rockstars want to get a little crazy while playing their instruments, but it's actually FUN to watch. Is it weird of me to think that? I hope I'm not the only one that does.

Matt Dirito.
Can't take credit for this pic - my camera sucked 
at the concert. This is a la internet. 

Even before Pop Evil dazzled the audience with their catchy songs and pumped up attitude, Aranda surprised me with a few tricks up their own sleeve. At first I didn't realize the guys setting up the equipment in plaid flannel and skinny jeans were the actual band, but when they started playing they definitely didn't sound like any emo posers. The guitarist Damien Aranda was especially skilled, as displayed most prominently during their cover of Led Zep's "Dazed and Confused." After that face melter, they did some cool things with the guitar where the lead singer would hold it parallel to the ground while Damien sort of played the strings like a keyboard, even going so far as to pull what I'm assuming is his signature move and use his designer boot to play the instrument at the same time. He used a delicate sweeping motion over the strings, which made a really cool effect when paired with the high speed plucking thing. It was very unique, something I have never seen or heard of before. 

Black Cloud Collective's performance was unfortunately mediocre. I have a feeling their tracks are probably better on a CD than you would observe from hearing them live, because the volume of their many sounds together was so loud over the singer's voice, you could barely hear the melodies in their songs. When I did catch a glimpse of some kind of musical pattern, I thought, "That's actually not bad, but I wish I could understand some of the words," because yeah, the sound levels were a little imbalanced, but also the lead singer was not an articulate one at all. My friend commented about him not quite looking the part, which I felt too, but on the other hand I liked that the majority of the other guys sported rugged beards as their go-to hair style, because it was different from most of the bands I've seen.

By the time Rev Theory finally came on, people were anxious to hear the band they'd been waiting for, but sadly more than one technical problem led to a performance that didn't live up to expectations. The microphone was doing a horrible job at picking up sound, so the lead singer Rich Luzzi (who looked like a cross between Stanley Tucci and my more attractive cousin, Greg) basically had to scream his lungs out for us to hear anything, and frankly that just sounded bad. On a side note, I just googled Luzzi and found some awesome pictures of him with a different look, one that included many ripped muscles and a lack of upper body clothing. I may rescind my statement that Leigh Kakaty was the hottest person on stage. But anyway, the vocal problems were a let down, and I honestly expected to hear more songs that I knew. The only redeeming factor was that the last two songs of the night - "Hell Yeah" and "Justice" - were the most kickass in their repertoire, and completely filled up my satisfaction bar. 



All in all I was pleased with the bang for my buck ($13), since I had mostly been exposed to bands that I'll probably get some music from in the near future. I quite enjoyed my time at this venue that I'd never been to before. Typically at concerts I can get cranky real easily if I'm standing the entire night, especially between bands when there is nothing going on. Luckily this place had rows of rectangular block benches that we could rest on while waiting for the next band, and that might've been one of the contributing factors to the night being a success. Feet and back aches were minimal, and I was able to maintain a *lovely* personal space bubble because the place wasn't jam-packed, and we happened to pick one of the best spots in the room to sit. The only thing that needed fixing was their bathroom - two stalls is not enough for a hundred women. But that won't deter me from attending concerts at this venue again (ask me the name if you're interested) because like I said, it was a successful night. Thus ends my post on the 9th concert of my life so far!

And listen to that song up there. It's one of my faves, possibly ever. In the category of hyped up rock, anyway. 

Wednesday, February 9, 2011

Blood, Hard Rock, Number Crunching, and Technological Innovations


Things I Am Loving Right Now

Giving Blood....
It's hard to explain why this has always been one of my favorite things to do. Despite the whole process taking sometimes up to two hours, and the same person asking me both my name and whether or not I am allergic to iodine 4 times each in 5 minutes, I still enjoy that short amount of time when I can actually give away a piece of myself to share with someone in need. Plus, my blood type is the wildcard for all, which means hospitals need it even more because it matches anyone's blood.

"Until We Have Faces"....
RED's new album (released 8 days ago)!! Words cannot describe how strongly I feel for the sounds I'm hearing on this CD right this minute. RED is one of my top 5 all time favorite bands (Christian/Metal), and yes it takes me a few listens of most albums to start falling in love with the songs, but now that I've heard it enough times, I am head over heels. I wish I could write a legitimate review for a substantial blog post, but all I can say is that this music literally resonates with my soul. It's "hitting the spot," so to speak. One of my favorite expressions in reference to music. If anyone's interested, ask me to recommend a song.

Accounting....
Relief: An emotion I'm feeling as this semester continues and I'm still enjoying my freshly declared major as much as I did when I made the quick decision of what career path to follow. A LOT of information is soaking into my head every week, and I suspect it will only increase in intensity as I progress with this degree. But I actually have fun doing homework and practice exercises, just because the satisfaction of getting the right answer as a product of complete understanding is so awesome! I feel like I own the problems, and what's great is that Accounting is the type of path that people only pick because, like me, they truly like it, or else they wouldn't be doing it at all. I mean, most of you reading probably hear the word and think "Ew, numbers and math," so it would take a lot of outside motivation for a normal person to go that direction. It's never like, "Oh, well, Accounting isn't a complete nightmare so why not?" It's a love or hate thing.

Right now we're on the chapter about Activity Based Costing, which in simple terms is the way you allocate various costs that go into production of goods and services, to the specific products themselves. It's a more accurate, detailed, and complex approach than the broader method using a predetermined overhead rate, which just seems silly to me now (for reasons sort of explained in a second), but as I've been reading, ABC methods are a lot more costly to implement. I was thinking today if I ever partner up with someone to start a business, I'll start off with all the smartest accounting methods, but that may not be possible when they cost so darn much to implement. But seriously, ABC is so much better because you get a much more accurate calculation of the cost to produce each product in a line. Sometimes companies estimate poorly and end up with misleading figures, causing them to make the wrong decisions based on that incorrect information. I wonder if this is making sense to you right now because in my head everything clicks perfectly, and I just hope I'm putting it into words understandably.




Thinking along the lines of publishing again (thinking again, not publishing again), I really REALLY wish I could put a video/sound clip into a book, because sometimes the songs from my posts are what capture my mood and thoughts the best. Sometime during my lifetime this better be made feasible. Heck, we have picture frames with changing photos, and that must've sounded like a crazy idea 30 years ago, but they're totally in use right now. It's just a shame I can't turn the entire first year of my blog into a yearbook, all forms of media included.

But we are at least making progress with cool inventions. Like I said, those digital picture frames are pretty cool, and I've seen ski/board goggles with a camera built in for videotaping. I still think hovercars are taking too long, as are a simpler, portable storage form of music that actually lets you listen at the same time - I'm thinking a USB drive that you can plug headphones into. I always want to get a few CD copies from friends, but until I get them on my laptop and then my ipod, they are stuck on that flat disc unless I can find a CD player, and who carries around a walkman anymore? We could be sharing 50 songs at a time on cheap USB drives (or something similar) and walking around campus listening to those instead of wasting so multiple CDs for the same amount of songs that aren't even accessible by themselves. Does this idea make even less sense than the benefits of accurate cost accounting methods, or can you picture what I'm thinking? Feedback is appreciated.

Also, what do you think are some cool new inventions that have sprung up recently?

Wednesday, January 19, 2011

Music Review: 10 Years

Thanks to my wonderful family members who payed attention to my organized wish list and constant nagging over the holidays, I am now the proud owner of 7 new CD's that came to me as Christmas presents. I've been listening to them a lot, as well as other single songs I've been downloading as usual, and I think I'm finally ready to review one of them!

Feeding the Wolves, 10 Years
Genre: Hard Rock, or Alternative Metal, according to Tuniverse

Oh Lord, I love this CD! 10 Years is a very new band to me. The only music I knew from this band from Tennessee included a single released in 2009 and the single currently being advertised on this album "Shoot It Out", from 2010. I must've had a really intuitive feeling that I would love the rest of it, because usually I listen to more than two songs before buying an album's band. Anywho, I'm glad I put this on my wish list because it's a great one!

It's always hard for me to describe music in words, so I try to look for other bands the music is similar to. It is my personal opinion that they are pretty different from any other band, but at times they have reminded me of: Three Days Grace, Framing Hanley (mostly on the first verse of "The Wicked Ones"), and Panic! at the Disco. Except I think I might like them better than all three of those bands. All of their songs have diverse melodies, upbeat head-banging/foot-tapping rhythms, and choruses that are easy and fun to sing along with once you learn the lyrics. The bridges deserve commendation for not just being slightly varied versions of the already played choruses or verses, like many bands do when trying to hide the fact that they've run out of music-making juice.


Of course I haven't listened to the lyrics much yet because I'm all about the sound, but at least I can say it's definitely not focused on sex and drugs. Actually, I haven't even come across a song that seems to touch on romance or relationships all that much, and that's rare these days, wouldn't you say? Don't quote me on this, but it appears that the songs are mostly the kind that analyze personal performance and inner struggle-type things, like in these lyrics from "Waking Up the Ghost":

     I, I'm waking up the ghost
     Not digging up the memories that were dead to me
     Now, now I'm getting close
     Closer to the enemy that's inside of me

I have an immense attraction to the perky songs like that one that leave my legs bopping up and down uncontrollably (not in a spastic way), but even the ballads on the album can hold their own. "One More Day" and "Don't Fight It" don't have to compete with the energized songs they're surrounded by, because the whole set flows like a well-made album should. Another thing I appreciate is the specific song titles that are easily connected to the songs themselves. When you see the words "Dead in the Water" or "Chasing the Rapture," you can easily recall the sound and lyrics they refer to. I get really annoyed when an album's song titles are all one or two vague words and you have to think harder to remember them. Three Days Grace has this problem, and in general I think their songs are less memorable - or at least the ones that aren't immediate radio hits. There we go! That's why 10 Years is better! As a whole, this album is more memorable. (An epiphany just occurred inside List Girl's head.)

What I don't like about the CD:
- It is not long enough! There are only 10 songs total, adding up to less than 45 minutes.
- The front insert doesn't contain lyrics to any of the songs. It is two pages. Lame.

In conclusion, 10 Years' album Feeding the Wolves is a quality rock/alternative album with pep and variety, but I wish there was more OF it. Here's one of my favorites, for you to taste the awesomeness. 



Monday, January 17, 2011

Monday Night Rantings: A Forced Post

It's been a week! Aah! Too long, too long.

Went to sushi tonight with some friends. I'm learning that I really like sushi rolls that have cream cheese in them, and I really like whatever they call Ton Katsu - fried pork with some type of sweet sauce drizzled over it. Fried pork is a strange concept in America, even though we have everything else fried - chicken, fries, rice, ice cream, etc. I particularly have to chuckle when I hear "chicken fried steak" just because that phrase makes it sound like two types of meat when it's only one.

Randomness. . . la la. . .

I'm also learning that I like driving, especially long distances on highways that aren't totally straight for 20 miles at a time (ahem*Oregon). I love listening to music in my car and it's the perfect opportunity, plus I just like the feeling of independence, going places far away on your own and actually knowing what you're doing. Today's round trip consisted of an almost solid hour of Breaking Benjamin, and Framing Hanley on most of the way back, with a few slower, scattered songs from my Get Acquainted With playlist towards the end, such as some stuff by Joshua Radin, Citizen Cope, and Iron & Wine. Reassessing my library over the last couple of weeks has brought me to realize I would greatly benefit from possession of more Iron & Wine music. They just are the perfect potion for calmness in my mind. Other music I'm hoping to get soon is the latest Linkin Park CD, and a few releases that should be coming out this spring (RED!! Rise Against! more than I can't think of at the moment!). And holy cow, according to this website there are so many more to look forward to that I had no idea about!

What else is new with me lately? Well I got slightly behind in my classes this weekend. Hopefully I can catch up soon and get back on the bandwagon, because I don't like feeling the least bit off schedule, no matter how minor the setback is. Last week I had some job application woes that aren't appropriate to discuss on the blog. Actually, most of the things that I have felt like venting about (or praising) fall under that category, so no wonder it's been so long since my last post.

Random thought: I feel the need to say that in every encounter I have with a new group of people, I'm forced to reassess my love of this place that I live in, and think about whether or not I can see myself staying here for the rest of my life. I don't know where else I'd want to go, but I often feel like I don't belong here, or sometimes in this world at all. That sounds really dramatic. But what I mean is that basically it's very rare to find a group of humans like myself who I actually relate to and want to spend time with, whose values reflect my own and who have fun the same ways I do. I hesitate to say that I think I've finally find that group, because I don't want to jinx it and lose any of the awesome relationships I've gained. And at the same time, I keep thinking this is just college and when I actually get past this stage of my life and start the next chapter, I'll have to go through the whole ordeal of not fitting in again. How am I ever going to find a husband? People in this state are so whack that you can almost observe males in their early 20s practicing their mating call because it's that time to find a wife. If they're not flaunting their feathers at the tame organized school dances, then they've already got a ring on their finger, and the rest of the country is the complete opposite, where everyone has sex with everyone else and you've got to read silly books on how to operate in the dating world.

Needless to say I'm scared of the future. What an off-topic topic, eh? This is more of what my real journal entries sound like, which I've been trying to keep in my actual journal. But hey, I really needed to post something. Goodnight, world.

Saturday, December 18, 2010

2010: The Year in Music (According to MY Library)

One of my favorite magazines that my family subscribes to is Entertainment Weekly. At the end of each year, they produce an issue overflowing with their "top lists" for all forms of media for the last 12 months. Movies, books, music, ... having many subcategories within each. Most of the time I don't agree with their top picks, so I thought this year I'd make my own. And that's exactly what these are - strictly my personal experiences, and certainly not an attempt at summing up the entire industry's year of productions. My genre bias becomes evident as you read on.

Top 20 Singles
Whether they were released in 2009 or 2010, these are the songs that I will always remember being the anthems of this past year. Most made their discoveries known to me through pop radio stations, some are rock songs (of course, that IS my taste), and some are just inbetween. Note that in no way does the order of a song's appearance on this or any following list signify ranking.

1. Tik Tok - Ke$sha
2. Animal - Neon Trees
3. Cooler than Me - Mike Posner featuring Big Sean
4. Just the Way You Are - Bruno Mars
5. I Will Not Bow - Breaking Benjamin
6. Jar of Hearts - Christina Perri
7. Pornstar Dancing - My Darkest Days featuring Chad Kroeger
8. Kings and Queens - 30 Seconds to Mars
9. Nightmare - Avenged Sevenfold
10. OMG - Usher featuring Will.I.Am
11. Need You Now - Lady Antebellum
12. Like a G6 - Far East Movement
13. Sweet Disposition - The Temper Trap
14. The Dog Days Are Over - Florence and the Machine
15. Secrets - One Republic
16. Dynamite - Taio Cruz
17. Kick in the Teeth - Papa Roach
18. Your Betrayal - Bullet For My Valentine
19. Empire State of Mind - Jay Z featuring Alicia Keys
20. Teenage Dream - Katy Perry


Top 10 Albums I Discovered
I don't know about other people, but I am always finding out about old music that just happens to tickle my fancy at a much later time than when it was actually popular. I guess you could say I'm behind the times, but I don't care. Here I record a few of the albums I'm thankful for listening to in 2010.

1. Fearless - Taylor Swift (2008)
2. We Are Not Alone - Breaking Benjamin (2004)
3. Lateralus - Tool (2001)
4. Riot! - Paramore (2007)
5. Elephant - The White Stripes (2003)
6. The Sound of Madness - Shinedown (2008)
7. Greatest Hits - Guns N' Roses (2004)
8. Meteora - Linkin Park (2003)
9. Innocence & Instinct - RED (early 2009)
10. Dirt - Alice in Chains (1992)


Top 15 Singles I Discovered
Same description as above, but these are single songs. This list almost means more than the last, simply because there weren't a lot more than 10 albums I downloaded/bought that were older than a year or two, so the ones I had pretty much filled up those spots. The selection for this one is a lot wider, though. Here goes:

1. Basket Case - Green Day (1994)
2. Fire It Up - Modest Mouse (2006)
3. Big Balls - AC/DC (1976)
4. Work - Jimmy Eat World (2004)
5. Son's Gonna Rise - Citizen Cope (2005)
6. Champagne Supernova - Oasis (1995)
7. My Own Worst Enemy - Lit (1999)
8. Holy Diver - Dio (1983)
9. Pepper - The Butthole Surfers (1996)
10. Till I Collapse - Eminem (2002)
11. Loser - Beck (1993)
12. Lollipop - Framing Hanley (2007)
13. Nookie - Limp Bizkit (1999)
14. More Than a Feeling - Boston (1976)
15. Plush - Stone Temple Pilots (1992)


Top 5 2010 Albums 
Pretty self-explanatory. Of the 2010 and late 2009 releases, these were the albums I listened to the most this year. I wish I had had time to listen to more, but I simply did not. And with this final list, I conclude my post.

1. Dear Agony - Breaking Benjamin
2. This is War - 30 Seconds to Mars
3. Speak Now - Taylor Swift
4. Asylum - Disturbed
5. Need You Now - Lady Antebellum

Thursday, December 9, 2010

Christmas Partays

Oh how I love my fellow Intervarsitites! Intervarsitians ... Intervarsinese ... Intervarsitish ...

Two Christmas parties thus far involving these folk have put a smile on my face already during the month of December of o-ten. Actually, more than a smile. Last night tears were streaming down my face not once, twice, but three times, from laughing so hard at our funny selves! Our crazy shenanigans from the shin-digs have included plenty of ugly sweaters, funny portraits, Guitar Hero collaborations, candy cane cookies, and more. If this weren't my blog (being entirely open for the world to see), I'd put pictures up that documented the occasions. Perhaps in the print version of this so-called "yearbook" of mine, I'll put some photos in where they should be.


Last night, at the advisement of one of our wiser and more experienced friends, we watched White Christmas, a movie I had never heard of. It's one of those old flicks with dancing and singing ... haha, a musical I guess. Bing Crosby stars with 3 other leading actors who all did a fantastic job in this film that has it all - a love story, humor (yes, I laughed!), Christmas spirit, that cute old-fashioned feel, sentimental warm fuzzies, and plenty of adorable outfits worn by the women that left me wanting to live their lives. Those empire waists and flowing skirts ... sigh. Such glamour! Such poise! Such elegance! Not to mention the dancing was phenomenal - extremely entertaining, and seemingly a blast to perform.

Of course this 1954 movie was where the song "I'm Dreaming of a White Christmas" originated. When Bing Crosby sings any song, the sound is so fantastically rich, it's like listening to the dark chocolate of voices. I couldn't help but feel like I was indulging, by simply allowing the sound into my ears. Indulge as well, as you listen to this clip from the movie and consider watching the whole thing yourself:

Sunday, December 5, 2010

Scantron Failure



And the Nobel Piece Prize for Scantron Failure in 2010 goes to ... the List Girl! 

This chick here is a bonafide retard when it comes to filling out scantron forms. For some reason it takes an unusually large amount of effort to get the right bubbles filled in with the right numbers, and matching up with the answers I actually want to choose. I have missed questions on tests that I knew the right answers to because I simply filled in the wrong bubble. This is a big deal in college! Every little multiple choice counts! Additionally, at other times I can fill in the right bubble but it will be on the wrong line, and I'll have to go all the way back to the root of the problem and erase like 20 answers. It always worries me that I don't erase the wrong ones all the way because the machines are so picky about that and I don't want to be marked down because there was still some smudging left, due to a crappy eraser. I made at least 5 mistakes like these today on one scantron sheet alone. Go me...

And there was even one time this semester in class where we completed a practice quiz with about 25 questions and I intelligently started my answers at #2 instead of #1. The beauty of this (yes, sarcasm) was that I had no way of realizing I messed up until I got the sheet back graded with an entire line of red marks on the side, indicating almost every one of my answers was wrong. Imagine my embarrassment when I had to ask my professor if I could fill out a new one. This wasn't 5th grade, this was college. He must think my ACT score was a 12 or something. (However, if this was the case, I could just blame it on my inability to fill in the right bubbles - who knows, maybe I'm still a genius and that is my only error.)

On a somewhat related note, does anybody else get excited when they have four answers in a row that are of the sequence A C D C ? Because it just tickles me. :)


Saturday, December 4, 2010

Catching Up With Nothing of Any Real Importance, But Still Interesting Stuff

Hello, blog, long time no see. You've missed me, have you? Well that's nice to hear. I'm kind of having a writing crisis this season, as you may have noticed, since I haven't posted very much in the past few weeks. I feel bad but I just can't do it ... hopefully this funk goes away and I can get back to my regular schedule and get back to loving blogging again.

But here I am, trying. I have no subject for this post yet. I thought I might talk about how much of a creeper I am, since within minutes of posting a facebook status about it, I got 3 or 4 likes. Meaning it was a successful discussion topic ... ? I'm rather pleased that my statuses have been doing so well recently, capturing many likes and comments on each one. I feel like facebook isn't such a waste if people actually pay attention to my activity and conversation is generated.

You know what would be really sweet? If I could publish the spectacularly awesome white paper on this blog that I've been putting so much time into with my group in Technical Writing. We finally finished today after hours and hours of work and stress. It was a 6 week long project that spanned many documents, assignments, and a presentation. I'm so proud of our professional piece of work completed today, it could legitimately be a real white paper produced in a successful business. Of course now that we've spent so much time being nit-picky on every bit of language in the 15 pages, I can't help noticing all the flaws I already have in this one post. BUT I don't care. :) I get to be myself on this blog and I write the way I think, which is in no way perfect.

Back to the creeper thing though - 

Funny story, but I happen to have recently developed a crush on this amazingly designed specimen in my accounting class. He's kind of gorgeous. Quiet and mysterious. (And by kind of gorgeous I mean he's really attractive.) I've never talked to him, and I don't know anything about him except that he asks smart questions, falls asleep adorably sometimes in class because of his work (?), and does not wear a wedding ring. In proper detective fashion, I carefully listened the last time our professor was handing out graded tests, and I caught his last name (it came right before mine!). Upon filing that piece of information away in a safe place in my brain, I was able to look up the one e-mail our professor ever sent the whole class, and scanned the list of recipients till I found his last name. Luckily our school e-mails consist simply of our first and last name, so with that one step I gained the most important part - his whole name!

I owe much thanks to Mark Zuckerburg for ever creating facebook because within seconds I had found him on the internet and was gazing upon his very nicely done profile pic. It's not one of those you can place in a category on a mockery list of all the stereotypical douche pics guys always use (the party pic with beer in one hand and arms around friends in a dark location, or the phone snapshot in the bathroom mirror, etc.). I didn't friend him or anything, that would definitely be really weird. I don't know why I was compelled to look him up at all, but at least now I know his name. I'm really hoping he's in my next accounting class. So yeah. That's my story of creeperness for this week. My services are available in exchange for suitable compensation.

In other news:

- Harry Potter 7 is a good movie.
- I'm even more in love with the new Taylor Swift album.
- I've been producing a lot of awesome mix cd's for friends that I wanted to just upload the playlists for, but they're all specialized to each person and purpose, so that might be ineffective for other people to see.
- Ugly Christmas Sweater Parties are fun, even if they end early. I shall post about that later when the pics are up.
- I had my first Mormon Muffin a few weeks ago. It was HEAVENLY.
- I'm also REALLY enjoying the Hunger Games series!! Man, those books have the best cliff-hangers I've ever seen. You simply MUST obtain the next book as soon as you're done with one. Good thing they're all out now because I would have a hard time waiting a few months/years for more to be published.
- If I had my way this Christmas, I would get the normal amount of presents, plus about 5 pairs of converse on top of that. I can't look at their website without finding too many pairs that I want, but they're all so expensive!
- On the Christmas note, we have a real tree this year, finally. I was expecting it to smell of pine but it actually isn't that fragrant at all. I want to buy a pine-scented candle to light next to the tree so when people come over, they're really impressed with how good the "tree" smells.
- Also pertaining to Christmas, my highly organized and geeky CD Wish List, complete with priority ranking:


I love Excel. I also love music. I also think I might love accounting. I'm thinking I should work for some sort of music production company's finance division. (Wow, that was one noun-compact phrase if there ever was one.)

How to BS
Speaking of technical writing, again (the reference, if you didn't catch it, was in that last statement in parentheses), I have to say that I have actually benefited a lot from this class. I think everybody should take it, because people these days suck at writing intelligently. Our book is great - Technical Communication by Mike Markel   - especially the chapter on "Writing Effective Sentences." It's all about being concise and clear, and eliminating unnecessary words. Very useful for professional documents, but also if you apply the concepts in reverse, it's a great instruction guide for how to BS.

The high school I come from gave us lots of practice in that (unintentionally of course), but these techniques are even more helpful. I can't claim it's a good thing for college students to follow this advice in making papers longer because I expect professors catch onto these things and aren't appreciative of our deceitful efforts. But I bet such tactics work wonders for high school kids. So if anybody who's reading this post is in high school, I recommend you pick up a copy of that textbook. If you're smart, you can find out which principles to use from chapter 10 that it actually advises against that will work wonders for adding length and fancy-speak. The book also has legitimate chapters that tell you how to write a good argument, which you'll end up learning anyway in regular english classes.

That's all I have to say for now. I hope to be back soon but I can't make any guarantees. At least know that my absense is not due to laziness, but other more complicated reasons that I can't explain.

I bid thee farewell.

Saturday, November 20, 2010

Applause for "Speak Now"

Dare I attempt to voice my opinions on the music of Taylor Swift? I feel like I'm about to step onto a minefield where any small move I make will cause a sudden explosion, in the form of someone reacting to what I say that they don't agree with. Depending on the person, this could leave me in a bad mood, but what it comes down to is this: I have a strong feeling about this new album, and whether it be positive or negative, at least it's something to write about. And honestly, lately I've been having a hard time with that.

Fact: There are two kinds of people in this world - those who love T-Swizzle, and those who hate her. Anyone in the middle needs to reveal himself to me, because I know of no such case. If you wanted to be picky, we could say there are people who like her music but don't like her, but I'm not concerned with that at this point. I've been pro-Taylor for a while, and her new album Speak Now just further confirmed that standpoint for me.

In trying to discover why everybody loves her music, I've decided it's because her lyrics always tell a story. Lessons on effective arguing always teach you that one of the biggest persuasive techniques is appeal to emotion, especially with examples. Every one of Taylor's songs is either a love story or a broken heart story, and everybody can relate to that - whether it be from personal experience, or a dream harbored deep in our hearts with the rest of our hopeless romantic insecurities. Instead of confusing strings of poetic language like many of the more artistic/emotional song-writers create (emo music, for example), Taylor writes with naturally spoken phrases that are easy to understand. Less of the unclear, abstract feelings, more of the detailing what happens in situations that affect her life. The little things like seeing a charming boy across the room (by whom she is "Enchanted"), the first time another put his arm around her by the water ("Mine"), or the tiny hand of an infant wrapped around her finger as she puts her to bed ("Never Grow Up"). These details paint pictures in the mind of listeners, which forge the way for emotional connections to be made.


Besides the narrative lyrics that everybody can comprehend and relate to, a few witty rhymes are thrown in as well, such as on "Better Than Revenge": "She's not a saint and she's not what you think, she's an actress. She's better known for the things she does on the mattress." In the imaginative scene about interrupting a wedding to save the man she loves from marrying the wrong girl ("Speak Now"), Taylor sweetly croons in her innocent voice all her humorous and biting commentary about the bride: "I sneak in and see your friends and her snotty little family all dressed in pastel, and she is yelling at a bridesmaid somewhere back inside a room wearing a gown shaped like a pastry." It's funny because such remarks should be spouted from a grumpy voice, but instead they're sung brightly from the optimistic, Disney-esque Taylor who is angelic as always. And have I mentioned how cute "Mean" is, where the tone reminds me of an 8 year old version of myself or any other vulnerable girl sticking her tongue out at an offensive comment?

Back to that voice of hers - who could criticize the aesthetic appeal? Couple it with the simple guitar chords and varied, beautiful melodies that she impressively puts together herself (starting at such a young age, too), the sheer sound of her music is just pleasing to the ear. And to anyone who says all her songs sound the same, I say you need to listen to a couple more - besides the normal bubbly love songs, "Dear John" is a slow and beautiful ballad of heartbreak, while I personally heard a strikingly Paramore-like influence on "Haunted." On the first few listens, anyway. And those were just the ones I found that strayed from the norm the most; by no means do the other 12 songs follow one similar pattern. Taylor's producers also know just the right amount of subtle pop additives to complement the basic structure of every song. Kind of like how make up is said to enhance beauty, not create it. The harmonic back-up sections are not necessary, but they enhance the already present beauty of a song.


Some fun I've had with this album is attempting to pin every one of her public relationships to at least one song, using the small hints provided in the lyrics. "Back to December" (which I LOVE) is obviously about Taylor Lautner, while the only one "Dear John" could be about is John Mayer. If you watched the VMA's this year, you know "Innocent" was directed towards Kanye West, but I also think "Mean" could have been, too. I admire her for having the guts to release these raw emotions willingly to the public, knowing full well they'll figure out who the lyrics are about. It's one thing to put your love stories out there, but when they're not anonymous anymore, that's just risky territory.

I sometimes feel like I'm intruding on Taylor's diary, which is maybe another reason fans like her so much - she trusts us. I've read facebook statuses of people saying things like "Taylor Swift knows exactly how to put into words the events of my life!" so obviously there is a great deal of common experiences. I haven't even had that many relationships in my life yet, but I know many songs that I felt were direct representations of my own thoughts. It's just annoying that she can put them into song form so well, whereas I don't even have enough talent to ATTEMPT such a feat.

Conclusion: Two thumbs up, a round of applause, cheers, hats off . . .  to Taylor Swift's 2010 album Speak Now. Shannon is a very satisfied consumer.

Thursday, October 21, 2010

Dark Horse Tour 2010

After my first experience seeing Nickelback live in 2009, I promised if I would ever get the chance to go again I would not let it pass me by. This year I bought tickets before they even went on sale, at a very large price due to the fees and general expensiveness of the show, and waited for 3 months. I was totally prepared after a year of getting more familiar with their albums and knowing the lyrics to all the choruses (and many full songs). At the last minute something happened that almost caused me to miss the concert, but my darling friend Abby so lovingly stepped in and took the extra ticket. It was very important to me to find somebody who legitimately liked the bands, or else my concert experience wouldn't have been as great if I were rocking out all by myself. As a plus, Abby also took oodles of pictures while I chowed down on my cheese fries and ice cream. 

I'm always wary at concerts when the opening bands are pretty kickass but the crowd hasn't gotten excited yet. Buckcherry would've been a great show if they were the main act in a small and more personal venue. I only knew some of their songs, but I took delight in the lead singer's propensity for shaking his ass. In his black skinny jeans and heavily tattooed bare chest, Josh Todd danced around the stage like no other from a rock band that I'VE seen. He shocked the crowd with his obscene gestures and statements, preparing us for the naughtiness that was to come from the next two bands. 


Three Days Grace took it up a notch and immediately refused to play until everybody was on their feet. I appreciated this very much because I wanted everyone to be enthusiastic, and most people were sitting down lazily in their stadium chairs. I enjoyed their relatively hardcore music as I always have, and a lot more people knew their songs. Adam Gontier started in on the traditional crowd singing wars by dividing the room in half and having us repeat his "Oh oh oooh ooh's" in competition to see which side was loudest. Graciously he declared a tie, though to me it sounded like our side should've lost. At one point when people started sitting down again, he went into the crowd and walked all around the arena (with bodyguards) while singing to get them to stand up. Abby and I wanted to sit down just so he would come over to us and we would get a little celebrity attention. 

When Nickelback finally came on, I instantly knew this night was about to get 10,000 times better. During set up they draped a huge curtain over the stage so we couldn't see what they were doing, which obviously meant bigger and greater things were going to happen while they played. A huge wall of digital screen was put up, creating a sort-of jumbo tron behind the band that showed close-ups of them half the time, and various lighting and photo effects the other half. When Nickelback actually came on, 3 VERY loud bangs went off, as if somebody was being shot, and we all jumped about half a foot in our seats. Turns out they were fireworks signaling "Hey, pay attention. Get ready to have your minds blown." And that we did. 

You know those games where someone stands in a clear box and paper money is blown all around while they try to grab as much of it as they can? Imagine your mind being blown to pieces, and then those pieces flying around crazily like the cash in the box, and then sucked all back into your head forcefully, and fast. That's what I felt like after Nickelback performed. Their music is awesome, sure, but pair that with the pyrotechnics and all the lighting and the orgasmic drum solo lasting about 10 minutes, and you have got yourself one entertaining show. I mean, I saw Daniel Adair do the same thing last year where he and his set were raised on a platform about 15-20 feet in the air and slowly rotated 360 degrees while murdering the drums with all hands and feet simultaneously, but I might as well have not ever seen it in my life because it was THAT AMAZING the second time! 


FYI my awesome iPhone took this sucker!


Nickelback is also known for their, shall we say, "friendly" stage presence. The minute Chad Kroeger says "Bring out the booze," all hell breaks loose. I'm not sure if he actually got drunk this time, but the band does drink during the show, and they throw cups of alcohol into the crowd. Of course none of it ends up in anybody's mouth, but free beer flying through the air just makes everyone that much rowdier. At one point the jumbo-tron zoomed in on two chicks in the front enthusiastically making out, and earlier, to set up for "Something In Your Mouth," girls were vying for attention by devouring bananas and lollipops as menacingly as possible to get on screen. Normally this kind of behavior bothers me a lot but I've grown used to it over the span of my growing relationship with rock music. Men AND women behaving like sluts and whores just becomes part of the experience. I just feel bad for all the 10 and 12 year olds whose moms thought taking them to see Nickelback would be a fun family adventure. Oh yeah, it's an adventure alright. If I had seen and understood some of the things when I was that young that I saw last night, I might have been slightly traumatized as a child. 

But no matter. I'm a big girl now and I don't care what people do as long as everyone is having a fun time. I still have to stress my opinion that despite my likeness for Nickelback's music, their show would only have been mediocre if not for their team of professionals who design what goes on behind the music. Flames and fireworks make so much of a difference in getting people excited. I was just super surprised at how we could even feel the heat from the torch guns when we were hundreds of feet away. Conclusion: They were legit. I specifically taped the ending of the show to keep record of how crazy it gets so I can prove to people that it's not just some pansy pop band. For all of those who only know Nickelback's music from the radio, give their real stuff a listen and you'll find out they're not what they are made out to be by the general public. I could probably write a whole essay in defense of my favorite band, but it almost distresses me too much to fight with my friends about it. 

I feel no shame in the amount of money spent on the night of October 20, 2010. Every penny was worth it, and I will proudly wear my new Dark Horse Tour t-shirt to brag to everyone that I was there. To reiterate my FB status on the matter: 

Shannon Sousa Died and was reborn tonight . . . 
Except with a still scratchy throat, and semi-blown eardrums, 
and half-melted face. It feels good :)

And of course, time for pictures. These are the highlights, and it's already a lot, but there are so many more if you want to look at the facebook album. Thanks Abby for helping me out with these!